{"id":73700,"date":"2020-04-29T11:49:31","date_gmt":"2020-04-29T11:49:31","guid":{"rendered":"https:\/\/stagingsax.admin-developer.com\/?product=francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo"},"modified":"2024-12-07T08:12:03","modified_gmt":"2024-12-07T08:12:03","slug":"francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo","status":"publish","type":"product","link":"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/","title":{"rendered":"Francois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo"},"content":{"rendered":"

Every single <\/span>Francois Louis mouthpiece<\/strong> is hand finished: tip, baffle, window, facing, front rail, side rails and beak.<\/span><\/p>\n

\"FL<\/span><\/span><\/p>\n

\"Spectruoso<\/span><\/span><\/p>\n

<\/h2>\n

<\/h2>\n

Material<\/span><\/span><\/span><\/p>\n

A great new composite material, the “Grounds”<\/strong> that brings up the roots of the vibration. Inspired by the determination of finding a modern material that resonates like wood, with absolute consistency and more focus<\/span><\/span><\/span><\/p>\n

Care<\/span><\/span><\/span><\/h2>\n

To enjoy your mouthpiece at its best, clean it regularly using a soft tooth brush and mild dish soap. Composite materials are sensitive to solvents, avoid using any.
\nResonance has been privileged. Although stronger than hard rubber the “grounds” is not an unbreakable material. Care for your mouthpiece gently to get the most out of it.<\/span><\/span><\/span><\/p>\n

Chamber<\/span><\/span><\/span><\/h2>\n
    \n
  • The Sphere Chamber
    \"coupe<\/strong>

    Is the “replica” of the original “FL” mouthpieces. It offers an unbelievable dynamic range with a full and rich sound color from the pianissimo to the most powerful fortissimo. It really conveys the air you blow into\u00a0sound<\/strong>, with an enormous efficiency and a total spectrum of harmonics. Highs, Mids and Lows: dark and bright altogether with a rich medium color. For those who love to use sound colors the way painters do.\u00a0<\/span><\/span><\/span><\/li>\n<\/ul>\n

    Facings<\/span><\/strong><\/span><\/span><\/h2>\n
      \n
    • T 235<\/strong>
      \nIs a 2.35 mm tip opening (92\/00″) equivalent to the traditional “6” opening.
      \nCombined with a medium facing length<\/strong> and a progressive facing curve<\/strong>. Very stable with enough flexibility to vary sound colors, fast response. Best fit with 2 1\/2 to 3 1\/2 reeds. <\/span><\/span><\/span><\/span><\/li>\n
    • T 260<\/strong>
      \nIs a 2.60 mm tip opening (102\/00″) equivalent to the traditional “7” opening.
      \nCombined with a medium facing length<\/strong> and a soft facing curve<\/strong>. Great flexibility with a lot of projection and immediate response. Best fit with 2 1\/2 to 4 reeds <\/span><\/span><\/span><\/span><\/li>\n
    • T 280<\/strong>
      \nIs a 2.80 mm tip opening (110\/00″) equivalent to the traditional “8” opening.
      \nCombined with a medium short facing length<\/strong> and a progressive facing curve<\/strong>. This is the “universal”<\/strong> mouthpiece: very stable<\/strong>, centered pitch<\/strong>, small enough to be playable by good amateurs and students, big enough to put real amount of air and be playable by professionals. Lots of projection with bottom on the attack of the note, very precise. virtually every reeds fit<\/strong>, from 1 1\/2 to 5. <\/span><\/span><\/span><\/span><\/li>\n
    • T 285<\/strong>
      \nIs a 2.85 mm tip opening (112\/00″) equivalent to the traditional “8\/8*” opening. Combined with a medium long facing length<\/strong> and a soft facing curve<\/strong>. Due to the longer facing curve, it brings more resistance and takes more air.(This make it feel “bigger”) The soft curve gives it a lot of flexibility. This is the best mouthpiece for the professional player that needs to use all possibilities of dynamics, sound colors and range in one mouthpiece., without having to struggle too hard on a real big mouthpiece. Best fit with 2 1\/2 to 4 reeds. <\/span><\/span><\/span><\/span><\/li>\n
    • T 315<\/strong>
      \nIs a 3.15 mm tip opening (124\/00″) equivalent to the traditional “9*” opening. Combined with a medium long facing length<\/strong> and a progressive facing curve<\/strong>. Very well balanced and efficient, it keeps a well centered pitch with flexibility, lot of projection and a big fat low range “\u00e0 la Ben Webster”. For the player who likes to blow a lot of air without loosing control. Best fit with 2 to 4 reeds. <\/span><\/span><\/span><\/span><\/li>\n
    • T 350<\/strong>
      \nIs a 3.50 mm tip opening (137\/00″) equivalent to the traditional “10*” opening. Combined with a long facing length<\/strong> and a progressive facing curve<\/strong>. Enormous sound, flexibility, projection, very fat low range, for the player who needs a total freedom of expression and is prepared to put a lot of air, having developed a good control of the embouchure\/air stream balance <\/span><\/span><\/span><\/span><\/li>\n<\/ul>\n

      all Francois Louis “L TEN” ligatures fit the Tenor Spectruoso Mouthpiece<\/span><\/em>.<\/span><\/span><\/strong><\/span><\/span><\/p>\n

      Openings Comparative Chart<\/strong><\/span><\/strong><\/span><\/span><\/p>\n\n\n\n\n\n\n\n
      1\/1000 inch
      \n1\/100 mm<\/span><\/span><\/strong><\/span><\/span><\/th>\n      		90
      \n229<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		92
      \n235<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		95
      \n241<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		100
      \n254<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		102
      \n260<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		105
      \n266<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		110
      \n280<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		112
      \n285<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		115
      \n292<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		120
      \n305<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		125
      \n315<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		130
      \n330<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		135
      \n345<\/span><\/span><\/strong><\/span><\/span><\/td>\n      		140
      \n356<\/span><\/span><\/strong><\/span><\/span><\/td>\n<\/tr>\n

      \nMouthpiece<\/span><\/span><\/strong><\/span><\/span><\/th>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT
      \n235<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT
      \n260<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT
      \n280<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		T
      \n285<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT
      \n315<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT
      \n350<\/strong><\/span><\/span><\/strong><\/span><\/span><\/td>\n      		–<\/span><\/span><\/strong><\/span><\/span><\/td>\n<\/tr>\n
      Otto-Link<\/span><\/span><\/strong><\/span><\/span><\/th>\n6<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n6*<\/span><\/span><\/strong><\/span><\/span><\/td>\n7<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n7*<\/span><\/span><\/strong><\/span><\/span><\/td>\n8<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n8*<\/span><\/span><\/strong><\/span><\/span><\/td>\n9<\/span><\/span><\/strong><\/span><\/span><\/td>\n9*<\/span><\/span><\/strong><\/span><\/span><\/td>\n10<\/span><\/span><\/strong><\/span><\/span><\/td>\n10*<\/span><\/span><\/strong><\/span><\/span><\/td>\n11<\/span><\/span><\/strong><\/span><\/span><\/td>\n<\/tr>\n
      Bari<\/span><\/span><\/strong><\/span><\/span><\/th>\n90<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n95<\/span><\/span><\/strong><\/span><\/span><\/td>\n100<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n105<\/span><\/span><\/strong><\/span><\/span><\/td>\n110<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n115<\/span><\/span><\/strong><\/span><\/span><\/td>\n120<\/span><\/span><\/strong><\/span><\/span><\/td>\n125<\/span><\/span><\/strong><\/span><\/span><\/td>\n130<\/span><\/span><\/strong><\/span><\/span><\/td>\n135<\/span><\/span><\/strong><\/span><\/span><\/td>\n140<\/span><\/span><\/strong><\/span><\/span><\/td>\n<\/tr>\n
      Vandoren<\/span><\/span><\/strong><\/span><\/span><\/th>\nT35<\/span><\/span><\/strong><\/span><\/span><\/td>\nT45<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT55<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT75<\/span><\/span><\/strong><\/span><\/span><\/td>\nT77<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT95<\/span><\/span><\/strong><\/span><\/span><\/td>\nT10<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\n–<\/span><\/span><\/strong><\/span><\/span><\/td>\nT97<\/span><\/span><\/strong><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      \n","protected":false},"excerpt":{"rendered":"

      Every single Francois Louis mouthpiece is hand finished: tip, baffle, window, facing, front rail, side rails and beak.<\/p>\n

      Material<\/p>\n

      A great new composite material, the “Grounds” that brings up the roots of the vibration. Inspired by the determination of finding a modern material that resonates like wood, with absolute consistency and more focus<\/p>\n

      Care<\/p>\n

      To enjoy your mouthpiece at its best, clean it regularly using a soft tooth brush and mild dish soap. Composite materials are sensitive to solvents, avoid using any.
      \nResonance has been privileged. Although stronger than hard rubber the “grounds” is not an unbreakable material. Care for your mouthpiece gently to get the most out of it.<\/p>\n

      Chamber<\/p>\n

      The Sphere Chamber<\/p>\n

      Is the “replica” of the original “FL” mouthpieces. It offers an unbelievable dynamic range with a full and rich sound color from the pianissimo to the most powerful fortissimo. It really conveys the air you blow into\u00a0sound, with an enormous efficiency and a total spectrum of harmonics. Highs, Mids and Lows: dark and bright altogether with a rich medium color. For those who love to use sound colors the way painters do.<\/p>\n

      Facings<\/p>\n

      T 235
      \nIs a 2.35 mm tip opening (92\/00″) equivalent to the traditional “6” opening.
      \nCombined with a medium facing length and a progressive facing curve. Very stable with enough flexibility to vary sound colors, fast response. Best fit with 2 1\/2 to 3 1\/2 reeds.
      \nT 260
      \nIs a 2.60 mm tip opening (102\/00″) equivalent to the traditional “7” opening.
      \nCombined with a medium facing length and a soft facing curve. Great flexibility with a lot of projection and immediate response. Best fit with 2 1\/2 to 4 reeds
      \nT 280
      \nIs a 2.80 mm tip opening (110\/00″) equivalent to the traditional “8” opening.
      \nCombined with a medium short facing length and a progressive facing curve. This is the “universal” mouthpiece: very stable, centered pitch, small enough to be playable by good amateurs and students, big enough to put real amount of air and be playable by professionals. Lots of projection with bottom on the attack of the note, very precise. virtually every reeds fit, from 1 1\/2 to 5.
      \nT 285
      \nIs a 2.85 mm tip opening (112\/00″) equivalent to the traditional “8\/8*” opening. Combined with a medium long facing length and a soft facing curve. Due to the longer facing curve, it brings more resistance and takes more air.(This make it feel “bigger”) The soft curve gives it a lot of flexibility. This is the best mouthpiece for the professional player that needs to use all possibilities of dynamics, sound colors and range in one mouthpiece., without having to struggle too hard on a real big mouthpiece. Best fit with 2 1\/2 to 4 reeds.
      \nT 315
      \nIs a 3.15 mm tip opening (124\/00″) equivalent to the traditional “9*” opening. Combined with a medium long facing length and a progressive facing curve. Very well balanced and efficient, it keeps a well centered pitch with flexibility, lot of projection and a big fat low range “\u00e0 la Ben Webster”. For the player who likes to blow a lot of air without loosing control. Best fit with 2 to 4 reeds.
      \nT 350
      \nIs a 3.50 mm tip opening (137\/00″) equivalent to the traditional “10*” opening. Combined with a long facing length and a progressive facing curve. Enormous sound, flexibility, projection, very fat low range, for the player who needs a total freedom of expression and is prepared to put a lot of air, having developed a good control of the embouchure\/air stream balance<\/p>\n

      all Francois Louis “L TEN” ligatures fit the Tenor Spectruoso Mouthpiece.<\/p>\n

      Openings Comparative Chart<\/p>\n

      1\/1000 inch
      \n1\/100 mm<\/p>\n

      90
      \n229
      \n92
      \n235
      \n95
      \n241
      \n100
      \n254
      \n102
      \n260
      \n105
      \n266
      \n110
      \n280
      \n112
      \n285
      \n115
      \n292
      \n120
      \n305
      \n125
      \n315
      \n130
      \n330
      \n135
      \n345
      \n140
      \n356<\/p>\n

      Mouthpiece
      \n–
      \nT
      \n235
      \n–
      \n–
      \nT
      \n260
      \n–
      \nT
      \n280
      \nT
      \n285
      \n–
      \n–
      \nT
      \n315
      \n–
      \nT
      \n350
      \n–<\/p>\n

      Otto-Link
      \n6
      \n–
      \n6*
      \n7
      \n–
      \n7*
      \n8
      \n–
      \n8*
      \n9
      \n9*
      \n10
      \n10*
      \n11<\/p>\n

      Bari
      \n90
      \n–
      \n95
      \n100
      \n–
      \n105
      \n110
      \n–
      \n115
      \n120
      \n125
      \n130
      \n135
      \n140<\/p>\n

      Vandoren
      \nT35
      \nT45
      \n–
      \nT55
      \n–
      \nT75
      \nT77
      \n–
      \nT95
      \nT10
      \n–
      \n–
      \n–
      \nT97<\/p>\n","protected":false},"featured_media":21833,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[833],"product_cat":[456,466],"product_tag":[],"class_list":{"0":"post-73700","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_brand-francois-louis","7":"product_cat-mouthpieces","8":"product_cat-tenor-saxophone-mouthpieces","9":"brand-francois-louis-en","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"acf":[],"yoast_head":"\nFrancois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo - SaxCompany.nl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Francois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo - SaxCompany.nl\" \/>\n<meta property=\"og:description\" content=\"Every single Francois Louis mouthpiece is hand finished: tip, baffle, window, facing, front rail, side rails and beak. Material A great new composite material, the "Grounds" that brings up the roots of the vibration. Inspired by the determination of finding a modern material that resonates like wood, with absolute consistency and more focus Care To enjoy your mouthpiece at its best, clean it regularly using a soft tooth brush and mild dish soap. Composite materials are sensitive to solvents, avoid using any. Resonance has been privileged. Although stronger than hard rubber the "grounds" is not an unbreakable material. Care for your mouthpiece gently to get the most out of it. Chamber The Sphere Chamber Is the "replica" of the original "FL" mouthpieces. It offers an unbelievable dynamic range with a full and rich sound color from the pianissimo to the most powerful fortissimo. It really conveys the air you blow into\u00a0sound, with an enormous efficiency and a total spectrum of harmonics. Highs, Mids and Lows: dark and bright altogether with a rich medium color. For those who love to use sound colors the way painters do. Facings T 235 Is a 2.35 mm tip opening (92\/00") equivalent to the traditional "6" opening. Combined with a medium facing length and a progressive facing curve. Very stable with enough flexibility to vary sound colors, fast response. Best fit with 2 1\/2 to 3 1\/2 reeds. T 260 Is a 2.60 mm tip opening (102\/00") equivalent to the traditional "7" opening. Combined with a medium facing length and a soft facing curve. Great flexibility with a lot of projection and immediate response. Best fit with 2 1\/2 to 4 reeds T 280 Is a 2.80 mm tip opening (110\/00") equivalent to the traditional "8" opening. Combined with a medium short facing length and a progressive facing curve. This is the "universal" mouthpiece: very stable, centered pitch, small enough to be playable by good amateurs and students, big enough to put real amount of air and be playable by professionals. Lots of projection with bottom on the attack of the note, very precise. virtually every reeds fit, from 1 1\/2 to 5. T 285 Is a 2.85 mm tip opening (112\/00") equivalent to the traditional "8\/8*" opening. Combined with a medium long facing length and a soft facing curve. Due to the longer facing curve, it brings more resistance and takes more air.(This make it feel "bigger") The soft curve gives it a lot of flexibility. This is the best mouthpiece for the professional player that needs to use all possibilities of dynamics, sound colors and range in one mouthpiece., without having to struggle too hard on a real big mouthpiece. Best fit with 2 1\/2 to 4 reeds. T 315 Is a 3.15 mm tip opening (124\/00") equivalent to the traditional "9*" opening. Combined with a medium long facing length and a progressive facing curve. Very well balanced and efficient, it keeps a well centered pitch with flexibility, lot of projection and a big fat low range "\u00e0 la Ben Webster". For the player who likes to blow a lot of air without loosing control. Best fit with 2 to 4 reeds. T 350 Is a 3.50 mm tip opening (137\/00") equivalent to the traditional "10*" opening. Combined with a long facing length and a progressive facing curve. Enormous sound, flexibility, projection, very fat low range, for the player who needs a total freedom of expression and is prepared to put a lot of air, having developed a good control of the embouchure\/air stream balance all Francois Louis "L TEN" ligatures fit the Tenor Spectruoso Mouthpiece. Openings Comparative Chart 1\/1000 inch 1\/100 mm 90 229 92 235 95 241 100 254 102 260 105 266 110 280 112 285 115 292 120 305 125 315 130 330 135 345 140 356 Mouthpiece - T 235 - - T 260 - T 280 T 285 - - T 315 - T 350 - Otto-Link 6 - 6* 7 - 7* 8 - 8* 9 9* 10 10* 11 Bari 90 - 95 100 - 105 110 - 115 120 125 130 135 140 Vandoren T35 T45 - T55 - T75 T77 - T95 T10 - - - T97\" \/>\n<meta property=\"og:url\" content=\"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/\" \/>\n<meta property=\"og:site_name\" content=\"SaxCompany.nl\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-07T08:12:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/saxcompany.nl\/wp-content\/uploads\/2024\/06\/flsignaturealto2020kopie20(2)2020kopie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/\",\"url\":\"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/\",\"name\":\"Francois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo - 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SaxCompany.nl","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/","og_locale":"en_US","og_type":"article","og_title":"Francois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo - SaxCompany.nl","og_description":"Every single Francois Louis mouthpiece is hand finished: tip, baffle, window, facing, front rail, side rails and beak. Material A great new composite material, the \"Grounds\" that brings up the roots of the vibration. Inspired by the determination of finding a modern material that resonates like wood, with absolute consistency and more focus Care To enjoy your mouthpiece at its best, clean it regularly using a soft tooth brush and mild dish soap. Composite materials are sensitive to solvents, avoid using any. Resonance has been privileged. Although stronger than hard rubber the \"grounds\" is not an unbreakable material. Care for your mouthpiece gently to get the most out of it. Chamber The Sphere Chamber Is the \"replica\" of the original \"FL\" mouthpieces. It offers an unbelievable dynamic range with a full and rich sound color from the pianissimo to the most powerful fortissimo. It really conveys the air you blow into\u00a0sound, with an enormous efficiency and a total spectrum of harmonics. Highs, Mids and Lows: dark and bright altogether with a rich medium color. For those who love to use sound colors the way painters do. Facings T 235 Is a 2.35 mm tip opening (92\/00\") equivalent to the traditional \"6\" opening. Combined with a medium facing length and a progressive facing curve. Very stable with enough flexibility to vary sound colors, fast response. Best fit with 2 1\/2 to 3 1\/2 reeds. T 260 Is a 2.60 mm tip opening (102\/00\") equivalent to the traditional \"7\" opening. Combined with a medium facing length and a soft facing curve. Great flexibility with a lot of projection and immediate response. Best fit with 2 1\/2 to 4 reeds T 280 Is a 2.80 mm tip opening (110\/00\") equivalent to the traditional \"8\" opening. Combined with a medium short facing length and a progressive facing curve. This is the \"universal\" mouthpiece: very stable, centered pitch, small enough to be playable by good amateurs and students, big enough to put real amount of air and be playable by professionals. Lots of projection with bottom on the attack of the note, very precise. virtually every reeds fit, from 1 1\/2 to 5. T 285 Is a 2.85 mm tip opening (112\/00\") equivalent to the traditional \"8\/8*\" opening. Combined with a medium long facing length and a soft facing curve. Due to the longer facing curve, it brings more resistance and takes more air.(This make it feel \"bigger\") The soft curve gives it a lot of flexibility. This is the best mouthpiece for the professional player that needs to use all possibilities of dynamics, sound colors and range in one mouthpiece., without having to struggle too hard on a real big mouthpiece. Best fit with 2 1\/2 to 4 reeds. T 315 Is a 3.15 mm tip opening (124\/00\") equivalent to the traditional \"9*\" opening. Combined with a medium long facing length and a progressive facing curve. Very well balanced and efficient, it keeps a well centered pitch with flexibility, lot of projection and a big fat low range \"\u00e0 la Ben Webster\". For the player who likes to blow a lot of air without loosing control. Best fit with 2 to 4 reeds. T 350 Is a 3.50 mm tip opening (137\/00\") equivalent to the traditional \"10*\" opening. Combined with a long facing length and a progressive facing curve. Enormous sound, flexibility, projection, very fat low range, for the player who needs a total freedom of expression and is prepared to put a lot of air, having developed a good control of the embouchure\/air stream balance all Francois Louis \"L TEN\" ligatures fit the Tenor Spectruoso Mouthpiece. Openings Comparative Chart 1\/1000 inch 1\/100 mm 90 229 92 235 95 241 100 254 102 260 105 266 110 280 112 285 115 292 120 305 125 315 130 330 135 345 140 356 Mouthpiece - T 235 - - T 260 - T 280 T 285 - - T 315 - T 350 - Otto-Link 6 - 6* 7 - 7* 8 - 8* 9 9* 10 10* 11 Bari 90 - 95 100 - 105 110 - 115 120 125 130 135 140 Vandoren T35 T45 - T55 - T75 T77 - T95 T10 - - - T97","og_url":"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/","og_site_name":"SaxCompany.nl","article_modified_time":"2024-12-07T08:12:03+00:00","og_image":[{"width":400,"height":200,"url":"https:\/\/saxcompany.nl\/wp-content\/uploads\/2024\/06\/flsignaturealto2020kopie20(2)2020kopie.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/","url":"https:\/\/saxcompany.nl\/en\/product\/francois-louis-spectruoso-sphere-chamber-t260signature-mouthpiece-fo\/","name":"Francois Louis Spectruoso Sphere Chamber T260Signature Mouthpiece fo - 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